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Der junge Jim Morrison lernt an der Universität von Los Angeles den Musiker Ray Manzarek kennen. Er schließt sich dessen Garagenband an, die er bald als `The Doors' zu Weltruhm führt. Doch der schnelle Aufstieg zum Weltstar fordert seinen Tribut. The Doors ist ein US-amerikanischer Film des Regisseurs Oliver Stone aus dem Jahr Der Film thematisiert die Geschichte der Musikgruppe The Doors. Oliver Stones hypnotisierender Filmbiografie The Doors ist es offensichtlich gelungen, die Zeit zu überdauern. Das liegt im Wesentlichen an der sorgfältig. The Doors - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | faithindesign.co The Doors ein Film von Oliver Stone mit Val Kilmer, Meg Ryan. Inhaltsangabe: Kalifornien Am Strand von Venice Beach gründen die beiden Studenten.
The Doors ist ein fiktionaler Film, der die Geschichte der gleichnamigen Band erzählt. Im Mittelpunkt steht der Sänger Jim Morisson. Komplette Handlung und. The Doors - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | faithindesign.co The Doors ist ein US-amerikanischer Film des Regisseurs Oliver Stone aus dem Jahr Der Film thematisiert die Geschichte der Musikgruppe The Doors.
The Doors (Film) - Inhaltsangabe & DetailsTrotzdem ist dieser Film ein Heiligtum und zahlreiche Szenen fest in meiner Erinnerung verankert — und nun Michael Wincott. Hauptseite Themenportale Zufälliger Artikel. I'm Not There. Randall Jahnson. Namensräume Artikel Diskussion. Community Visa-Nummer . The Doors ist ein fiktionaler Film, der die Geschichte der gleichnamigen Band erzählt. Im Mittelpunkt steht der Sänger Jim Morisson. Komplette Handlung und. Sex, Drogen, Rock'n'Roll, Poesie und Tod. Jim Morrison, Sänger der Rockband The Doors, verkörperte wie wenige andere den Mythos des. The Doors. + 2 Std. 20 faithindesign.co und Musicals. Oliver Stone erzählt die Geschichte von Jim Morrison und seiner Band ‚The Weitere Serien und Filme. Los Angeles, Der junge Jim Morrison lernt Ray Manzarek kennen und gründet mit ihm die Rockband The Doors, die bald große Erfolge.
The Doors (Film) VideoLight my fire and break on through scene- the doors movie
A very fine Michael Madsen is wasted as actor Tom Baker, a friend of Morrison's whose relationship is grossly underdeveloped.
The only performance among the supporting cast worthy of praise is that of quirky character actor Crispin Glover in a cameo as Andy Warhol, a scene that is absolutely spellbinding.
Some may criticize The Doors for glamorizing a life of excess; this film gives younger viewers the idea that drugs and promiscuous sex are fun, critics may charge.
Those who would are missing the point entirely. As are those who would interpret this film as the cautionary tale of a life wasted.
Little about the character we view on screen is glamorous. It seems no accident that Morrison died as he did.
This was a man obsessed with death; his demise seems more a moment of wish fulfillment than tragedy. My only significant criticism of the film is that the title is certainly a misnomer; this could have easily been titled "The Jim Morrison Story" as there is not a single scene on screen without the eccentric singer while the remaining members of the band are relegated to obscurity.
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External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The story of the famous and influential s rock band The Doors and its lead singer and composer, Jim Morrison , from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in Director: Oliver Stone.
Writers: Randall Jahnson as J. Randal Johnson , Oliver Stone. Available on Amazon. Added to Watchlist. From metacritic. June's Most Anticipated Streaming Titles.
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Edit Cast Cast overview, first billed only: Val Kilmer Jim Morrison Meg Ryan Pamela Courson Kyle MacLachlan Ray Manzarek Frank Whaley Robby Krieger Kevin Dillon John Densmore Michael Wincott Paul Rothchild Michael Madsen Tom Baker Josh Evans Bill Siddons Dennis Burkley Dog Billy Idol Cat Kathleen Quinlan Patricia Kennealy John Densmore Engineer - Last Session Gretchen Becker Mom Jerry Sturm Dad Sean Stone Learn more More Like This.
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Sid and Nancy Biography Drama Music. Morrison's parents would only allow themselves to be depicted in a dream-like flashback sequence at the beginning of the film.
The Coursons wanted there to be no suggestion in any way that Pamela caused Morrison's death. Stone found the Coursons the most difficult to deal with because they wanted Pamela to be portrayed as "an angel".
Even when we shot, but the music helped fuse it together". When Morrison died, Courson acquired the rights to Morrison's poetry; when she died, her parents got the rights.
For nearly 10 years prior to production, the project went through development hell after being considered by many studios and directors. Stone initially offered the role to Ian Astbury of The Cult , who declined the role because he was not happy with the way Morrison was represented in the film.
When Stone began talking about the project in , he had Val Kilmer in mind to play Morrison, after seeing him in the Ron Howard fantasy film Willow.
Kilmer also spent hundreds of hours with the Doors' producer Paul A. Rothchild , who related "anecdotes, stories, tragic moments, humorous moments, how Jim thought Stone auditioned approximately 60 actresses for the role of Pamela Courson.
Casting director Risa Bramon felt that Patricia Arquette auditioned very well and should have gotten the role. Krieger acted as a technical advisor on the film, chiefly to show his cinematic alter ego, Frank Whaley, where to put his fingers on the guitar fretboard during the mimed performance sequences.
Abdul recommended Bill and Jacqui Landrum, who watched hours of concert footage before working with Kilmer and got him to do dance exercises to loosen up his upper body and jumping routines to develop his stamina.
During the concert scenes, Kilmer did his own singing, performing over the Doors' master tapes without Morrison's lead vocals, avoiding lip-synching.
We had to take that into consideration". Controversy arose during filming when a memo linked to Kilmer circulated among cast and crew members, listing rules of how the actor was to be treated for the duration of principal photography.
An upset Stone contacted Kilmer's agent and the actor claimed it was all a huge misunderstanding and that the memo was for his own people and not the film crew.
The film contains over two dozen of the Doors' songs, although only half of these appear on the accompanying soundtrack album.
In the film, original recordings of the band are combined with vocal performances by Kilmer himself, although none of Kilmer's performances appear on the soundtrack album.
In addition, two songs by The Velvet Underground " Heroin " and " Venus in Furs " , are also heard throughout the film, with the former appearing on the soundtrack.
The film is based mostly on real people and actual events, with some segments reflecting Stone's vision and dramatization of those people and events.
For example, when Morrison is asked to change the infamous lyric in "Light My Fire" for his appearance on The Ed Sullivan Show , he is depicted as blatantly ignoring their request, defiantly shouting the words "higher!
However, during the actual broadcast, Morrison had simply sung the vocal with the same emphasis as on the record. Morrison later said the inclusion of "higher" in the live version was an accident, and that he had meant to change the lyric but was so nervous about performing on live television that he simply forgot to change it.
Conversely, Ray Manzarek said the Doors only pretended to agree to the changing of words and deliberately played the song as they always had, albeit without any added emphasis on the offending word.
Another inaccuracy can be found in the character of a seductive female magazine photographer played by Mimi Rogers , who appears to be based on 16 magazine editor Gloria Stavers.
The dialogue in this scene is based on a conversation Stavers had with Morrison during a photo session in her Manhattan apartment.
This character is portrayed as having taken the famous "young lion" picture of Jim Morrison in New York City in , when in fact this particular photograph as well as nearly all the other publicity photographs for the Doors' first album were taken by a male photographer, Joel Brodsky , in Los Angeles in November Several acts of violence portrayed in the film are also disputed: Morrison is depicted as locking Pamela Courson in a closet and setting it on fire; having a violent argument with Courson at a Thanksgiving celebration, where they both threaten each other with a knife; and angrily throwing a television set at Manzarek for licensing the use of "Light My Fire" in a Buick television commercial.
Dialogue from Kennealy that took place between her and Morrison is reassigned to Courson, and Courson is depicted as saying hostile things to Kennealy, when by all reports their interactions were polite.
Kennealy is also portrayed as being the girl Morrison was with in the shower stall backstage before the December 9, New Haven concert, when in fact he was having a conversation with a local teenage co-ed from Southern Connecticut State University.
Additionally, the New Haven venue is presented in the film as a gorgeous amphitheater with a large balcony and a packed audience, when in reality it was a rather decrepit, half-empty hockey rink with audience members sitting on foldable wooden chairs.
Similarly, in an earlier scene of a press conference set in New York City in , when Kennealy is first introduced to Morrison, the singer is asked a question regarding "the dreadful reviews your new poetry book has received"; at that time, Morrison had not yet published any volumes of his poetry.
John Densmore is portrayed as hating Morrison when the singer's personal and drug problems begin to dominate his behavior. However, Densmore states in his biography Riders on the Storm that he never directly confronted Morrison about his behavior.
Other questionable portrayals include those of Andy Warhol , who is presented as a leering homosexual caricature. Krieger, Densmore and Kennealy are all credited as technical advisors for the film; however, they have all commented that, although they may have given advice, Stone often chose to ignore it in favor of his own vision of the story.
The settings for the film, particularly the concert sequences, are depicted in mostly chronological order, although the crowd scenes contain many blatant exaggerations, such as portrayals of public nudity, bonfires, and group revelries that did not occur.
In the film's climactic scene of the infamous concert at the Dinner Key Auditorium in Miami on March 1, , Morrison is shown as leaving the stage to join the audience for a singalong medley of "Break on Through" and "Dead Cats, Dead Rats", a portrayal which is likewise exaggerated and inaccurate.
Also, prior to the concert, a reporter on the scene makes a derogatory comment about the band's fourth studio album, The Soft Parade , which had not yet been completed and would not be released until July of that year.
The surviving Doors members were all, to one degree or another, unhappy with the final film, and were said to have heavily criticized Stone's portrayal of Morrison as an "out of control sociopath.
It was ridiculous. It was not about Jim Morrison. It was about Jimbo Morrison, the drunk. God, where was the sensitive poet and the funny guy?
The guy I knew was not on that screen. Some of it was overblown, but a lot of the stuff was very well done, I thought. In the book The Doors , Manzarek says, "that Oliver Stone thing did real damage to the guy I knew: Jim Morrison, the poet", while Densmore says, "a third of it's fiction.
In Manzarek's biography of the Doors, Light My Fire , he often criticizes Stone and also includes myriad details that discredit Stone's account of Morrison.
For example, in Stone's "re-creation" of Morrison's student film at UCLA, he has Morrison watching a D-Day sequence on television and shouting profanities in German , with a near-nude German exchange student dancing on top of the television sporting a swastika armband.
According to Manzarek, the only similarity between Stone's version and Morrison's was that the girl in question was indeed German.
As the credits point out and as Stone emphasizes in his DVD commentary, some characters, names, and incidents in the film are fictitious or amalgamations of real people.
In the documentary , The Road of Excess , Stone states that Quinlan's character, Patricia Kennealy, is a composite, and in retrospect should have been given a fictitious name.
Kennealy in particular was hurt by her portrayal in the film and strongly objected to a scene in the film where Morrison states that he did not take their Wiccan marriage ceremony seriously.
Ryan's character, Pamela Courson, involves liberties of a different sort. The former Doors do not think the movie depiction of her is very accurate, as their book The Doors describes the version of Courson in the movie as "a cartoon of a girlfriend".
Courson's parents had inherited Morrison's poems when their daughter died, and Stone had to agree to restrictions about his portrayal of her in exchange for the rights to use the poetry.
In particular, Stone agreed to avoid any suggestion that Courson may have been responsible for Morrison's death.
However, Alain Ronay and Courson herself had both said that she was responsible. In Riders on the Storm , Densmore says Courson said she felt terribly guilty because she had obtained drugs that she believed had either caused or contributed to Morrison's death.
The film received mixed reviews from critics, although Rolling Stone gave the film four out of four stars. According to Q magazine , "few people emerged from seeing the film having raised their opinions of that band and especially its singer Jim Morrison.
The site's consensus states: "Val Kilmer delivers a powerhouse performance as one of rock's most incendiary figures, but unfortunately, Oliver Stone is unable to shed much light on the circus surrounding the star.
In April , a restored version of the film was selected to be shown in the Cannes Classics section at the Cannes Film Festival.
From Wikipedia, the free encyclopedia. Theatrical release poster. Bill Graham Sasha Harari A. Kitman Ho. Randal Johnson Oliver Stone.
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