Tränen Der Erinnerung – Only Yesterday

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Tränen Der Erinnerung – Only Yesterday

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As much as I love those films of Hayao Miyazaki, Only Yesterday seems to affect me in a way that is entirely personal and unforgettable.

The character, as both a ten year old and as a twenty-seven year old is perfectly rendered, acted and animated.

The situations that occur in her life, in both of the separate time-lines, are believable and actually add something to the drama and her eventual switch in direction in those last few scenes.

For me, Only Yesterday is simply great; a modern masterpiece to rival the aforementioned Grave of the Fireflies and a must for anyone with a real appreciation for intelligent, character-based, emotionally captivating cinema.

Was this review helpful? Sign in to vote. Boris 18 November Imagine a commonplace story in commonplace settings with a not so immensely interesting main character a bit like you and me and a pastoral kinda hippie-message This is another memory-thingie from Japan they are obsessed with memory there, is that because of the Meiji period?

The story's so simple: a young woman in her late 20s doesn't have any real problems, is kind of ready for the rest of her life to happen, but it's just not happening.

Something seems to be in the way of her accepting the possibility of happiness in the simple things that she finds on her way, and that that might just be what she's looking for and therefore enough.

A trip to the countryside brings back memories of her childhood as the youngest of three in a middle-of the road household in late 60's Japan.

The thing is, it is SO well-done. Often, films focus on the misery of this life and the sweet innocent splendor of youth. This one turns it upside down, and not by depicting a horrible childhood which has to be "taken care of".

Just by looking at things the way a child does. It's often the little things, that seem of no importance to adults, that mould a child, shape it's personality.

The "small killings" so to speak. Events no one notices and no one readily remembers, but no one really forgets either. And when you remember them, they hurt in a way that you find unreasonable.

So with this film. The flashbacks of not really a "missed opportunity" childhood, but rather of small events that stuck, chills you and sometimes fills you with warmth.

It suggests at the same time that though there might be events that made her what she is, she also always was who she is, and it's the interplay between who you are and what you encounter that shape your life.

You might say "it might have gone a different way", but then again it didn't exactly because you are you.

Very Tao if you ask me. How it ends The fact that the film, entirely inconspicuously, manages to pull it off to tell that in images, makes it great art.

The subtitles are hazardous sometimes too fast, too much on the screen Get out and rent it now. I bought it. Dhomochevsky 1 November This is the question to be asked, even for the fans like me of "grave of the fireflies".

Compared to all the other ghibli movies, this real masterwork has been unfairly unrecognized. Forget about the anime you watched so far, it's completely different, more adult, more realistic, more No big eyes well, the flashback are somehow "very 60's", but that's the purpose!

For example the pineapple scene or the mathematics exercise scene are the most incredible daily life pictures i've ever seen!

And the final credits will have you wipe some tears Watch it and make your friends watch it too. Don't be surprised by its length. It's fun, sad, real, touching, moving whatever you want I still dream it will be released abroad, one day Talk about it around you and maybe this could happen.

Takahata definitely deserves it! I was lucky enough to obtain a set of "Studio Ghibli" anime films on DVD including the some of the best of Myazaki etc.

I thought I'd give this film a try first, never having heard of it It is one of the most amazing films I have ever seen, anime or not.

It truly defines "adult anime" in the best sense of the word. I would agree with many of the comments already expressed, especially the use of animation to express the exhilaration of childhood joy.

The fact is, this film packs in so many genuinely clever, poignant and laugh out loud funny observations on adult and child life I am really surprised it is not more well known.

How many films can make eating a pineapple such an utterly fascinating,touching and meaningful scene?! This film is basically the story of a 27 year old woman NOT a middle aged woman!

She carries the memories of her childhood with her and these flash back as a parallel story to the present in an unbelievably delightful way!

This film is so uplifting! Do be sure to catch all of the ending too! I thought it caught the best parts of My Neighbor Totoro for a something audience!

Simple and Moving Soujiro 16 November This is one of Studio Ghibli's less known films. It tells the story of middle-aged Taeko's gradual realization of her love for the Japanese countryside.

Through frequent funny and realistic childhood coming-of-age flashbacks we see that even during moments when life seems hopelessly complicated, it's really quite simple.

On a similar note, the ability of anime to refine the needlessly complicated to its essence is one of its great qualities in my opinion.

The scene in which little Taeko merrily walks into the sky is an exaggerated example of this ability. A live action attempt to show childhood elation would be much more strained.

The film does glorify farm living, but doesn't gloss over the difficulties to the extent that most films do.

I was skeptical of any animated film's ability to inspire emotion for the beauty of the countryside.

I mean Well, the animators obviously did their research. The scenery isn't artificially What most impresses me is the constantly calm mood of the film.

Where other films would escalate certain situations to cheesy melodramatics, this film keeps it's feet on the ground except for little Taeko I love that scene.

On a final note, the voice acting was superb, and the famous among otaku ending sequence is very uplifting.

If Miramax releases a subtitled version of this, do yourself a favor and pick up a copy. This is probably my favorite animated film of all -- and now it looks even more beautiful than ever thanks to the Japnese DVD release.

This is a story of a something "office lady" who is vaguely dissatisfied with what she sees as increasingly pointless life in the big city.

As she visits the rural family of her sister's husband for a working vacation, she also revisits her fifth grade self. The contemporary scenes are done in a fairly realistic fashion, the flashbacks have a lovely pastel look -- that would later be used even more extensively in "Our Neighbors, the Yamadas".

This film does not draw upon cartoons for its background, but on the films of Ozu and Naruse. The intelligence and sublety of the characterization is extraordinary.

This also has a very appealing use of Hungarian folk music the favored music of our heroine's young farmer friend. If you've never before sobbed tears of joy over closing credits before, you will here.

It never fails for me -- at about 7 times and counting. While Takahata's "Grave of the Fireflies" may have a more timely and harrowing tale to tell, I think this understated little story is even more beautiful and effective.

Remarkable Enchanting Movie philbast 15 February This movie has all of the grace and beauty of Grave of the Fireflies, without the oppresive depression.

Takahata has such an eye for detail and subtlety; the characters' observations about life and coming to terms with who you were and are when combined with the beauty of the animation and scenery are poetic and elgiec.

What could be a trite romantic tale instead blossoms into art due to the hyper-realism of Takahata's story-telling. This movie requires some work to understand, but the effort is rewarded generously.

Even though its been just a few minutes since I finished watching it, I can already tell that the images and characters will be playing in my head for a very long time.

This move is an absolute gem -- see it if at all possible! This is a very gentle and beautiful film, which could have been done as a 'normal' film with live actors, but it wouldn't have worked one-tenth as well; somehow doing it as an animation allows us to explore the characters much better.

It tells the story of Taeko, a 27 year old Tokyo office worker who goes to spend a few days in the countryside. She is at a stage where she is starting to question her life, and is haunted by memories of her 10th year.

One thing that stands out is that there is no great drama, the pace of the film is almost humdrum, the whole emphasis is on the development of the characters: this of course means that it will not be to everyone's taste.

We've all seen those "coming of age" movies that transition the protagonist from childhood into puberty, and there's heaps of "discover your inner child" movies to put some fun in your life or life in your fun or whatever -- Only Yesterday is a rarity: Unsure and a little lost in her urban complacency, Taeko finds she must step beyond her inner-child shadow before she can grow up and move on with her life.

Only Yesterday isn't about grade-five, it's about being 27 by way of grade-five. It's a story about stepping out of our childhood, like the way we finally, and graciously, say goodbye to a worn-out favourite pair of shoes, or when, once we get to our destination, we can thank a particularly helpful bus driver and disembark.

Ugh, that's not much of a review, is it. Fortunately, Takahata says it all ten thousand times better than this :. I really had no idea animation could be so touching and moving.

A young woman on her way to the countryside to help out with some farm chores keeps getting flashbacks of her 10 year old, 5th grade self.

That may sound boring, but instead I was riveted from beginning until the heart warming finish, enjoying her memories along the way.

We all carry around with us such kind of memories-having trouble with a particular subject in school, flirting with members of the opposite sex, being teased by classmates or older siblings, misbehaving and being severely punished, not getting something we really wanted and on and on.

While she was having her flashbacks, I was having mine, making it all a very personal experience. Her life has been shaped by her memories, and now she is guided by them as she comes face to face with a momentous, potentially life-altering decision.

Even if she was only an animated character, I got so bound up in the story that I desperately hoped for her to make the right choice. Sometimes I even forgot that I was watching an animated movie.

Wonderful, wonderful movie scarlet 29 July Director: Isao Takahata. Available on Amazon. Added to Watchlist. From metacritic. Everything New on Disney Plus in June.

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You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Miki Imai Toshio voice Yoko Honna Tsuneko voice as Mayumi Iizuka Mei Oshitani Aiko voice Megumi Komine Toko voice Yukiyo Takizawa Rie voice Masashi Ishikawa Soo voice Yuuki Masuda Shuji Hirota voice Michie Terada Mother voice Masahiro Ito Father voice Yorie Yamashita Nanako voice Yuki Minowa Yaeko voice Chie Kitagawa Grandmother voice Koji Goto Learn more More Like This.

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Go, Panda! Studio Ghibli. Book Category Portal Works. Categories : films Japanese-language films anime films s romantic drama films Animated coming-of-age films Animated drama films Animated romance films Drama anime and manga Romance anime and manga Films directed by Isao Takahata Animated films based on manga Films set in Films set in Films set in Tokyo Films set in Yamagata Prefecture Japanese films Japanese romantic drama films Studio Ghibli animated films Toho animated films Films set in Japan drama films.

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Talk about it around you and maybe this could happen. Takahata definitely deserves it! Sign In. Keep track of everything you watch; tell your friends.

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Crazy Credits. Alternate Versions. Rate This. Director: Isao Takahata. Available on Amazon. Added to Watchlist. From metacritic. Everything New on Disney Plus in June.

Studio Ghibli. Films animation I've watched. Share this Rating Title: Only Yesterday 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview, first billed only: Miki Imai Toshio voice Yoko Honna Tsuneko voice as Mayumi Iizuka Mei Oshitani Aiko voice Megumi Komine Toko voice Yukiyo Takizawa Rie voice Masashi Ishikawa Soo voice Yuuki Masuda Shuji Hirota voice Michie Terada Mother voice Masahiro Ito Father voice Yorie Yamashita Nanako voice Yuki Minowa Yaeko voice Chie Kitagawa Grandmother voice Koji Goto Learn more More Like This.

Ocean Waves TV Movie Animation Drama Romance. Porco Rosso Animation Adventure Comedy. In s Italy, a veteran World War I pilot is cursed to look like an anthropomorphic pig.

The Wind Rises Animation Biography Drama. Nausicaä of the Valley of the Wind Animation Adventure Fantasy. Archived from the original on January 7, Retrieved July 13, Retrieved January 9, The Verge.

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Retrieved September 2, Motion Picture Producers Association of Japan. Archived from the original on July 26, Retrieved February 6, Rotten Tomatoes.

Fandango Media. Archived from the original on March 31, Retrieved July 1, Archived from the original on January 5, New York Times.

Archived from the original on July 29, Ebert Digital. Archived from the original on January 25, Retrieved April 13, Works directed by Isao Takahata.

Go, Panda! Studio Ghibli. Book Category Portal Works. Categories : films Japanese-language films anime films s romantic drama films Animated coming-of-age films Animated drama films Animated romance films Drama anime and manga Romance anime and manga Films directed by Isao Takahata Animated films based on manga Films set in Films set in Films set in Tokyo Films set in Yamagata Prefecture Japanese films Japanese romantic drama films Studio Ghibli animated films Toho animated films Films set in Japan drama films.

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