The Cloverfield Paradox Imdb „Böse Absicht“ von Netflix?
The Cloverfield Paradox ist ein US-amerikanischer Science-Fiction-Horrorfilm, inszeniert von Julius Onah und produziert von J. J. Abrams. Das Drehbuch. The Cloverfield Paradox Schmidt. The Zookeeper's Wife Lutz Heck. Captain America: Civil War Zemo. Alone in Berlin Escherich. /I. Cloverfield Paradox Comes to Blu-ray and DVD a Year After Netflix Debut 28 November | MovieWeb; J.J. Abrams to Receive Athena Film Fest's The Cloverfield Paradox auf IMDB. Score: 5,9 des Orbiting a planet on the brink of war, scientists test a device to solve an energy crisis, and end up. faithindesign.co - Kaufen Sie The Cloverfield Paradox günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu.
Im Jahr tauchte im Internet wie aus dem Nichts der Trailer zu einem mit dem ersten Film verwandten Psychothriller namens 10 Cloverfield. faithindesign.co - Kaufen Sie The Cloverfield Paradox günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. The Cloverfield Paradox auf IMDB. Score: 5,9 des Orbiting a planet on the brink of war, scientists test a device to solve an energy crisis, and end up.
SON OF BATMAN 45 Uhr, The Cloverfield Paradox Imdb aber immerhin Fernsehsender, more info Lost im deutschen.
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Though the woman appearing in the wall was kinda cool. Good thing it's fitted perfectly for her size and shape.
Future clothes rocks. But later she Wall Girl says that Main Girl was never on the ship in her alternate universe because she Wall Girl went on the mission in Main Girl's place.
Main Girl and Asian Girl have completely different jobs. This one's a thinker but it's a nice fat plot contradiction, even in a movie with alternate universes.
And don't say the unexplained magnetism because that was pulling consistently in one direction and to achieve what happened it had to succumb to the magnetism then after grabbing him somehow completely resist the intense magnetic field and suck him to the wall like a monster, even though all the other metal did not experience this effect.
Go science! The commander heroically seals himself in with it to eject it easier. A crew mate yells, "No! We can do this remotely!
How do we get back? Press the button again, make more more random chaotic things happen and of course it'll perfectly transport us back to the spot we came from but change nothing else.
I think they forgot. Do they mean the chance of multiple universes colliding? Because that's not a paradox, it's an effect. This supports my hypothesis that they just picked fun science words to scatter about.
Shijuro 5 February Although the performances were fine, the story was a muddled mix of bad science gravity doesn't work like that, not in any of the scenes and sci-fi cliches, with several random mentions of the word "Cloverfield" shoe-horned in inexplicably.
The film introduces several "haunted house" elements that are never explained. There is less than a minute of content that connects this to the other Cloverfield movies, and as minor and inconsequential as the connection is, they still manage to contradict the events in the other films.
No one can watch this and find it faultless. I am almost 65 years old, and have been a fan of science-fiction all my life.
I never heard of Cloverfield and did not know that it was some sort of series until I started reading some of the other reviews on this page.
Having no prior knowledge of Cloverfield, I was able to approach the film without any preconceived bias and judge the movie entirely on its own merit.
There are very few films that present any truly unique science-fiction idea, but this movie does succeed in blending some old ideas into a new and unique combination.
I found this to be a very enjoyable science-fiction film. Although this movie had its share of scientific inaccuracies, I simply attribute them to the fact that the story takes place in an alternate universe where our scientific laws do not all necessarily hold true.
This is an unusual science-fiction tale, blended with a touch of horror similar to "Event Horizon". The plot is very interesting.
The acting is excellent. The special effects are great. The story is suspenseful. I found this film to be a worthwhile piece of entertainment.
If this were his first film it would be the last one he ever made. Do you recall that scene in A Clockwork Orange where they hold Alex's eyelids open forcing him to watch terrible things?
Well if they remade A Clockwork Orange, Alex would be forced to watch this movie, but instead of rendering him sick to violence it would render him brain dead because this film it that terrible.
Silly plot paired with a miserable script, and poor direction. What made Alien great was that you could see the logic in the characters.
Here the crew who is on a mission to save the world is always bickering, fighting, and doing the most illogical things possible as if they were high school students over-acting a staged drama for their parents.
Well, about 30 minutes in and you realize why Paramount decided to release via Netflix. I don't think anyone who loved cloverfield will be particularly taken by this film.
And to those people who felt cloverfield lane was a bait and switch, they will really feel betrayed by this film.
The acting in this film is respectable. The effects, set and the like are fine. But the dull plot is not overcome by having a single character to care about.
Worthless film. This is why this skipped theatrical release. It's almost as if someone just wanted to make a social statement coupled with an inability to write a competent script and came up with a ninety minute, exhaustive film about a space station, crewed by nearly every race on earth, moving to a new dimension.
Lots of goofy plot holes that make no sense; risk the planet and reality because people are too lazy to harness the sun for energy, space station moves to new dimension in a different location and yet picks up new characters, Chinese token racial character is the only one speaking Chinese but everyone can understand her.
This film actually fits in well with the other garbage hitting the screen since Oh, and Ava DyVernay, where's the history being made here?
History in the making. It's no mistake now that the team behind the Cloverfield series is simply purchasing films that are already shot or written and re-working them to fit within their "world".
This entry into the series is no different, but at least we have a direct connection and explanation for things, which make this film the main one that will connect every single 'Cloverfield' entry from here on out.
In an attempt to produce endless energy, a group of people board a space shuttle known as The Shepard. Over days in space with failure after failure, they finally manage to create something.
But that something is not what they expected and now they have to fight to survive and deal with the horrors they've unleashed. There is a moment in the film that is pure exposition, delivered by Donal Logue that really felt forced in there to be an explanation for the monster in the original film.
It was such an awkward jumble of words that it stands out like a sore thumb. I felt like they could have delivered this information a bit differently, by someone on the ship maybe.
There are other moments of missed opportunities as well, specifically when you are dealing with time paradoxes and alternate realties.
The film tries to deliver a sense of dread, but it doesn't really get there. There are moments where the weirdness explodes and we are dealing with severed limbs still working or body horror involving eyes and skin.
I get the sense that they wanted these weird occurrences to really amp of the mystery. Sometimes it works, other times it does not.
Paramount clearly thought they had a stinker on their hands, which is why they dumped the film to Netflix. Saying this film sucks is a disservice to the material.
It's ambitious enough to try and create a connecting tissue to the other films and anything else that Bad Robot wants to come up with.
I applaud that, as well as their explanation for why things happened, to me is good enough. This film will be the most divisive one yet, that is clear.
There's a reason they released this movie right when the whole country would be positively drunk. Remember that lame scene in Interstellar where the movie stops to explain wormholes with a piece of paper?
Now imagine a whole movie of that. This disappointing sidequel, though its talented cast tries their best, is jam-packed with clunky expository dialogue and unanswered questions.
It's actually amazing that even with spending this much time explaining what's going on that it still makes such little sense. Sadly, this is a movie whose marketing strategy is more surprising and inventive and than the actual film.
I don't like to slate films as a rule, but this was not good. The positives, the acting was ok, some nice special effects, and initially a good premise, the Earth disappearing, which in turn created some nice tension.
The whole thing instantly fell apart due to the absence of any plot, I understand the whole Cloverfield premise, of nothing is supposed to make any sense until the whole thing is pieced together, but lazy writing does not make up for ambiguity.
The trailers were brilliant, and instantly made me watch the film, just goes to show how powerful a trailer can be, and how bad the actual film is.
The characters were presented in such a way that I had no empathy for any of them, on the whole they were unlikable. It's no wonder this went straight to Netflix.
Let's be blunt: the film made no sense at all. Kudos to actors, to the special effects team and everyone else involved aside from the writer and director - they should never be allowed to write and direct again.
If you liked those movies, you might like this one, otherwise avoid at all costs. Rincewind 12 February Colleague mentioned this movie to me and was not impressed.
I expected nothing and was positively surprised to like this movie more than most people apparently do. He presents a premise, that could work and then puts all his weird, unexplained stuff on top of it to make it more mythical.
Clearly this strategy worked a lot of times, so why stop now? Most of what Hollywood produced over the last ten years is borderline cliched, illogical, pretentious and downright stupid, but they raked in Billions this way, so at least some of you pay for this crap and seem to like it very much!
I liked the intro and first climax, where the hell is earth? And of course the crew is panicking.
They are tense and frightened, locked in this space station for over two years. A lot of people back on earth believe, that what they are doing could end all existence, so maybe, just maybe you snap, when something seems to confirm your worst fears.
They couldn't navigate and determine their position because of the missing gyro-thingy, another chance to fuel the panic well taken.
Maybe Im more used to the whole dimensions-colliding-and-weird-stuff-happening, but to me the premise was quite clear. Reminded me of the great Event Horizon.
After the space station collided with another dimension not universe! Here it starts to feel a little bit like Donnie Darko.
You are not supposed to mess with other dimensions and the crew is experiencing this first hand "This dimension is eating us alive!
Very typical JJ here! Take an accepted scientific theory multiverse, dimension travel, etc.
Either you go back to your own dimension where you belong, or you will be destroyed. People have no problem with Cthulhu appearing out of nowhere in the first movie, but an arm eating wall it stupid?
Does anyone here know, what happens if two dimensions collide? And to top it all of you have people arguing about the science in this movie just why even start?
When will Hollywood finally look at J. Abrams and realise that he isn't wearing any clothes? De Julius Onah.
Bande-annonce Streaming. Mes amis. Envie de voir. Distributeur -. Secrets de tournage 5 anecdotes. Budget -. Langues Anglais.
Format production -. Couleur Couleur. Format audio -. Format de projection -. Interview, making-of et extrait.
Acteurs et actrices. Gugu Mbatha-Raw. David Oyelowo. Daniel Brühl. John Ortiz. Critiques Spectateurs. Alfred N.
Depuis il y a eu Interstellar, Sunshine, Prometheus et Gravity. C'est pour dire le niveau. Lire plus.